Get all 61 Post-Materialization Music releases available on Bandcamp and save 80%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of PMM# DD05 Gospod Kto-To - Bydys, PMM# DD04 Dee Dee Darkfolk - Black Dog Dog, PMM# DD07 Raw Pit - Dee Dee Darkfolk - Split split, PMM# DD06 Unknown - (Absolutely Cursed Karaoke), PMM-LC#20 Smell & Quim - BULLS PENIS SOUP, PMM# SM03 Smegma - All Records Are Skip, PMU#012 Alena Krivilla - Encyclopedia For Boys, PMM#111 Dee Dee Darkfolk/Noise Nomads - Split, and 53 more.
1. |
||||
2. |
Hungry Heart
02:22
|
|||
3. |
||||
4. |
||||
5. |
||||
6. |
Bar Cuckold
03:18
|
|||
7. |
||||
8. |
Sob In Pasta
02:21
|
|||
9. |
Post-Materialization Music Saint Petersburg, Russia
Experimental/avant/jazz music label from St. Petersburg, Russia.
If you like PMM# CS31 Dee Dee Darkfolk - Rockets From Russia, you may also like:
supported by 15 fans who also own “PMM# CS31 Dee Dee Darkfolk - Rockets From Russia”
go to album
"Adult Contemporary" C-40 (NRR30)
by Vanessa Rossetto
supported by 15 fans who also own “PMM# CS31 Dee Dee Darkfolk - Rockets From Russia”
go to album
"Fashion Tape" (NRR66)
by Vanessa Rossetto
supported by 15 fans who also own “PMM# CS31 Dee Dee Darkfolk - Rockets From Russia”
Varied sonic collages, colorful as the eye-grabbing album art, twist and turn throughout Rossetto's "Fashion Tape." It's a delightful release that combines the artist's intimate drones with an almost playful plundering of samples and sounds.
go to album
featured on Bandcamp Radio Jul 14, 2020
go to album
The first release on Cacophonous Revival, from experimentalist Samuel Goff, uses avant-garde approaches to get at personal narratives.
go to album
Jazz Codes (Deluxe Edition)
by Moor Mother
featured on Bandcamp Radio May 2, 2023
go to album
"The Church of Plenty, Empty" (NRR89)
by Brandon Lopez
supported by 15 fans who also own “PMM# CS31 Dee Dee Darkfolk - Rockets From Russia”
The title of this cassette is great, thought provoking and blackly comic bit of alliteration right there. The tracks themselves are no less intriguing either. My personal impression of these four string based improvised (I'm assuming) pieces is that of living sound that somehow escaped the confines of their respective instruments, instinctively and warily calling to someone recording their own noisy and fully independent emanations. Pretty awesome, if you ask me.
go to album
